In Fauxtopia, Raymond Kampf reveals the sham hucksterism behind the “amusement” park, making the viewer rethink the concept of “rides” through the juxtaposition of historical events with amusement park themes, for example, Triumph of the Will Skyway or Dogma and Pony Show, with its exhortation to Taste Jesus. He imagines life and history as a horror ride, finding politics suspect while exposing the ridiculous and horrible underneath; witness The Red Scare, Jingo Juxebox Jubilee and Colonial Renaissance Re-enactment Festival Faire.